Article: Photos of Hong Kong Buildings From Below

travel91days:

Istanbul street art. Kind of looks like it’s from that Buenos Aires street stencil artist. #Istanbul #buenosaires #streetart

travel91days:

Istanbul street art. Kind of looks like it’s from that Buenos Aires street stencil artist. #Istanbul #buenosaires #streetart

straangetimes:

Rocks Above and Below (by dcumminsusa)

straangetimes:

Rocks Above and Below (by dcumminsusa)

(via innerzee)


In our new issue: Features on climate change in Ethiopia, the first Muslim liberal arts college, the lost novels of women writers, interviews with Diana Balmori and Eduardo Halfon, fiction by A. Igoni Barrett & Patricio Pron, poetry by Brian Henry & Alejandra Pizarnik, and art by Julia Pleiffer.

In our new issue: Features on climate change in Ethiopia, the first Muslim liberal arts college, the lost novels of women writers, interviews with Diana Balmori and Eduardo Halfon, fiction by A. Igoni Barrett & Patricio Pron, poetry by Brian Henry & Alejandra Pizarnik, and art by Julia Pleiffer.

(Source: guernicamag)

ilovecharts:

America as seen by an Australian

ilovecharts:

America as seen by an Australian

indieandvintage:

Stay Strong…

indieandvintage:

Stay Strong…

(Source: onemorenightinny, via guttedcorpse)

1am-in-the-morning:

this is tight as fuck

1am-in-the-morning:

this is tight as fuck

(Source: downwsociety, via death-on-a-pale-horse)

photojojo:

Leon Dafonte photographs a special liquid mixture consisting of milk, cream, water, guar gum and color dye. The liquid concoction forms a viscous substance (think glue) that is truly magical to photograph. 

Viscous Liquids with Leon Dafonte

via 1000scientists

(Source: icanread)

redouanelahloul:

Pattern in Islamic Art-الفن الإسلامي-Pattern dans l’art islamique

(via hiyah-beijing)

paintvrlife:

Since 2002 artist, dancer and choreographer William Forsythe has traveled with his audio/visual installation Scattered Crowd, created with thousands of suspended balloons in galleries, museums, banks and other architecturally significant spaces. Forsythe refers to the work as being “an air-borne landscape of relationship, of distance, of humans and emptiness, of coalescence and decision”.

(via thebloodofastone)